___

T O U C H  D I S S O L V E S

P H O T O G R A P H Y : Y U S U F  S E V I N Ç L I

M U S I C : A A R O N  M A R T I N

J U L Y  12 T H , 2 0 1 8 

1/42

________________________________________________________________________________

Yusuf Sevinçli does not linger. He walks, he explores, he observes, he shoots and he leaves again. He collects almost obsessively scraps of reality which are always different, but they can finally find an analogy and eventually become a series of images. It ‘s a picaresque concept of photography, almost homeless, which rejects the stability and serenity of a home, albeit virtual, embracing instead the road and the people, animals (from dogs to insects), objects that live in it and make it alive. Subjects become patches that eventually assemble together to reveal a texture, which is the representation of reality through the artist’s eye. Emotionality digress the beaten tracks and take the street, returning us its true essence."

(Santi Oliveri | Filles Du Calvaire)

(www.yusufsevincli.com)

Aaron Martin began his musical life at age 11, switching between guitar and drums. At the age of 17, he decided to change paths and learn how to play cello, which he went on to study in college. While earning his music degree, he began to experiment with recording. After creating several self-released collections of music, and graduating from college, he recorded Almond, which caught the attention of the Australian label Preservation, and became his debut release. He has gone on to record two more albums for Preservation, River Water and Chautauqua, as well as one album for Experimedia called Worried about the Fire and most recently Comet’s Coma for Eilean Records, and A Room Now Empty on Preserved Sound. He has also collaborated with a variety of other musicians, including Machinefabriek, Part Timer, Dawn Smithson (as Winter’s Day), Dag Rosenqvist (as From the Mouth of the Sun), and Christoph Berg with releases on Type, Dronarivm, Facture, and Under the Spire Recordings. Aaron Martin lives and records in Topeka, Kansas. (www.aaronmartin.bandcamp.com)

_______________________________________________________________________________

 

Initiated by IIKKI, between January 2018 and May 2018,

Touch Dissolves is their dialog. 

_______________________________________________________________________________

               E D I T I O N

  • Book: limited edition to 500 copies, hand numbered & hand stamped. 

      hardcover book (24 cm x 16,5 cm) on Munken Print, 96 pages, 66 photos, printed on             Amber Graphic 150g/m2, duotone/bichromy processing, logo, slot and circle embossed,

      matt laminate soft touch finish.  

      

  • Vinyl: limited edition to 300 copies, handcrafted, hand numbered and hand sealed. 

      cutting lacquer, artwork printed and sticked on a special glossy paper and black                        paperboard. mastered by James Plotkin.

  • Cd: limited edition to 200 copies, glass mastered. handcrafted, hand numbered.

      digisleeve: 400 gsm black graphic card dyed in the mass. mastered by James Plotkin.

      available here

______________________________________________________________________________

PRESS   REVIEWS

© 2016 - 2019  IIKKI 

  • bandcamp-button-circle-line-grey-512
  • SoundCloud - Grey Circle
  • Facebook - Grey Circle
  • Vimeo - Grey Circle